Where The TIme Has no Name

Day 23 • September 29, 1994
Paris, France

Part 3: Walking to the Louvre


After leaving Jim’s grave, I felt strangely quiet.

Père Lachaise had been intense — the graffiti, the crowd, the mix of reverence and disrespect, the joint left burning on the stone. It had stirred up a lot in me. I was ready to take that energy and channel it into something calmer. Something that didn’t feel so raw.

I made my way across Paris to the Louvre.

I had been there once before, years earlier with my family, but this time I was alone. I didn’t have a long list of things I wanted to see. There was really only one piece I felt drawn to.

The Mona Lisa.

I had seen her image countless times in text books and on posters in my art classrooms. But I wanted to stand in front of the actual painting — the real one — and see her with my own eyes. After the heaviness of the cemetery, I think I was looking for something that felt timeless. Something that had survived centuries of attention, obsession, and myth.


Golden Hour in Paris

After the intensity of Père Lachaise, I found myself standing in the middle of Paris at golden hour.

The sun was sitting low on the horizon, casting long shadows and bathing everything in warm light. The Arc de Triomphe stood massive and timeless in front of me, while right at its base, a cement mixer truck was doing its work like it was any other day. Cars moved around it, people went about their lives, and the city just kept breathing.

It felt like a perfect contrast to where I had just been. One moment I was standing at Jim’s grave surrounded by graffiti and quiet intensity. Now here I was in the middle of a living, moving city, watching the sun go down over one of the most famous monuments in the world.

Paris didn’t pause for me. It just kept going — beautiful, chaotic, and completely alive.


My Photographs from today

Walking to the Louvre


Looking Back from 2026

That walk through Paris felt like a deep exhale after the emotional intensity of visiting Jim Morrison’s grave. The city had a different energy — lighter, more romantic, and strangely welcoming. As I walked toward the Louvre, I passed a mime performing on the street and found myself smiling. There was something joyful and slightly absurd about it, and for a moment I felt like I was living the life of a struggling artist myself.

Later, I stepped into a quiet church. I lit a candle for my grandparents and got down on my knees to pray — for protection, for guidance, and for the courage to keep going. Above the doorway as I left, I looked up and saw the powerful stone figures of the Last Judgment. I didn’t fully understand what I was looking at then, but something about it stayed with me. All these years later, I now know the story of Saint Denis carrying his own head while still preaching. That detail hit me harder than I expected. It felt like a quiet confirmation of something I’ve come to believe: that faith can survive even the most impossible circumstances.

As I continued walking along the Seine, I became completely captivated by the artists selling their work along the sidewalk. Prints and paintings were everywhere. I stopped at nearly every stall, studying everything, wishing I could set up my own table and sell my photographs of Paris to the people walking by. I remember thinking, This would be so much better than going back to Kearney. I didn’t want the day to end. I didn’t want to go home. I wanted to stay in that world forever.

By the time the Louvre came into view through the mist, my heart felt full in a way I hadn’t experienced in a very long time.